"I shall die for my motherland, and be reborn a French philosopher."

The Sable Knight

Today: The Shadow Dragon and the Blade of Light, Ch. 20.

And now, the most memorable and beloved character from SD&BoL. He’s a prominent figure in the resolution of the fourth act of the game and the fleshing out of the narrative purpose of the Fire Emblem. And this chapter is such a strong example of both good and bad map design that I’ve got to break up the tragedy to mention that, too.

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The Fire Emblem

Today: The Shadow Dragon and the Blade of Light, Ch. 6.

We’re at a moment of huge importance in the story, so it’s time to remember that, oh yeah, this game has a story. First, let’s consider the importance of story to early games. Once I’ve established why it is that SD&BoL‘s isn’t necessarily up to today’s standards, I’ll take a look at what it does give us storywise. And I can’t leave chapter 6 without mentioning the most important thing in it: the first thematic element that I think comes to define the narrative thrust of any Fire Emblem.

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